I hate that question, ‘How do you get your ideas?’ because I rarely know.
When I wake, story phrases or conversations come to me out of the dull mist of very early morning. But in respect of this story, I can give a direct answer about my criminal ideas.
Some years ago I was watching the news of multiple shootings in a school by an adolescent. The account was truly shocking and the media tried to analyse its reasons. Sadly, other such massacres have followed.
As a psychologist, I had sometimes interviewed/assessed such youngsters. I remember several school haters rather than school refusers holed up in their bedrooms after school, keeping themselves separate from family and peers. These boys, and sometimes girls, believed those around them were ignorant of what they themselves knew. Their ‘knowledge’ was of violence, rebellion, conspiracy, retribution. They had dark posters on the wall. Those youngsters, I can’t write about, but I did use the experience to imagine a new character in that role.
I can’t write about those particular youngsters, but I did use the experience to imagine a new character in that state of alienation. (This writer’s criminal ideas)
I created a younger boy from another geographical and social setting and imagined what might lead to such an extreme act. I wrote a longish short story. It was long-listed in the (now defunct) FishKnife competition that year.
Later it won a Bloomsbury review after topping the favourites on the YouwriteOn site. The editor said that I “was a writer of potential” (pun), that I had “an intriguing premise”, my first line provided “a gripping opening” that “plunges the reader straight into the novel’s moral dilemma” and that she “was impressed by use of a first-person narrator.” She went on, “The use of an unreliable narrator is tricky to pull off, and you handle it well – the character of Jake has stayed with me since I first read it.” She suggested how I might develop it as a novel, associating it with ‘Before I Go to Sleep‘ and ‘Gone Girl‘.
I put the story with its criminal ideas to one side, because I was wholly involved with rewriting my trilogy, A Relative Invasion. Later I tweaked it and put it on Kindle.
“A Boy with Potential,” is the first of my Crime Shorts. It has elements of horror. It is a story of suspense. Crime is in the background; crime is the threat. Will it be a killer? I believe there is an appetite for shorter stories, commuter length. Indeed, one reviewer (Morgen Bailey) has written: “This story has a feel of The Curious Incident of the Dog in the Night-time, although I much preferred this one, and it just goes to show how much can be done in around 5,000 words.” (and now it’s in its 2nd, longer, edition of 7,000 words). FREE Kindle this week.